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The Birth and Death of Vijay Deenanath Chauhan – Agneepath Movie Review

03 Mar
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‘Dekh ye hath ekdum Saaf…Isko dho diya main’

When Chota Johar decided to re-make Agneepath, originally by the Bada Johar, I thought I should see the ‘Bachchanpath’ before the ‘Roshanpath’ so that I can enjoy giving the SWOT analysis of old vs new. Shame on a movie reviewer like me who had given the legendary Vijay Deenanath Chauhan a big miss. BTW, SWOT here stands for Scene Weene, Opinion Topinion. An acronym I just coined. Please do talk about it in your comments and tweets. I want it to be trending in today’s twitterverse. While I was tempted to see the original before the adaptation, some part of me wanted to take a look at the new one with fresh perspective for an unbiased opinion.

Thanks to ma-in-law’s visit that I could get out of the house in the near middle of the night with hubby and not think of kids while watching the movie. That’s another story altogether that I ended up sleeping while my husband was cracking his brain with the SWOT stuff. (He had seen the original one literally a hundred times and I knew I would have some first hand comparison insights from my abode itself).

After over 3 long hours of sleep watching the movie (alternating between sleeping and watching) I decided to just pull the blanket and sleep properly. Thank god I had company else the ushers would have had to do me out of the hall. I so wanted to pour it all on my blog the next day but thought it would be wiser to watch the Big Johar’s masterpiece and reserve my comments till then.

Finally I saw the ‘Bachchanpath’ yesterday for the first time and wanted to know just three things:

  1. Why would the Karans (Johar and Malhotra) want to kill Vijay Deenanath Chauhan? Bada Johar’s Agneepath gave birth to the cult Vijay Deenanath Chauhan which was actually the big O in terms of the dialogues, acting, storyline, characters, actors and everything that went into the making of the movie. Again, by the big O, I mean Original here. Please Mentos mat khao( Dimaag ki batti band rakho). Looks like the Karans knew it from the beginning and that’s why it was also a part of Sanjay Dutt’s dialogue saying ‘s baar to Vijay Deenanath Chauhan Ko Marna hi Padega’. Chota Johar’s Agneepath literally hanged him to death on that ‘Mandwa ka Banyan Tree’.
  2. “Krishnan Iyer Em Yea ko kyon nahi liya? Hain” I want to ask this really loud with that ‘hain’ in Amitabh’s voice. He was such a comic relief in the serious dialogues and violent fight sequences. Was it so difficult to draft a parallel hero script or was it budget constraints? As an afterthought it could have been used as the bollywood launch role for ‘Dhanush’ of the Kolaveri fame.
  3. Bhopal se Behen kyo lekar aaye? (Usme aisa kya tha jo mujhme nahi?) This behen in Roshanpath had hardly any role and was visibly awkward with Hrithik touching and holding and lifting her. (I would have died to even play Hritihik’s mom.)

A Special request to Ekta Kapoor who is in a Soap adaptation spree of the Box Office Hits – pls don’t try recreating this epic anymore.

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Posted by on March 3, 2012 in Mother India, Movie, Review

 

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